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Motion pictures --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Production and direction. --- Production and direction --- Direction

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Film --- Art cinématographique --- Filmkunst --- Motion pictures --- Production and direction --- -Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Production and direction. --- -Production and direction --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Direction --- CDL --- 791.41

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"Becoming an effective filmmaker involves being deliberately mindful of the structures and conventions that allow film to communicate meaning to a global audience. The Language of Film explores complex topics such as semiotics, narrative, intertextuality, ideology and the aesthetics of film in a clear and straightforward style, enabling you to apply these ideas and techniques to your own analysis or film-making. With full-colour film stills, in-depth case studies and a wide range of practical exercises, The Language of Film will help you to make the transition from consumer to practitioner - from someone who just responds to the language of film, to someone who actively uses it. In the second edition, a new chapter examines how sound contributes to narrative and space to tell stories, create imaginary worlds and shape the realist (and often non-realist) effect of cinema. Along with two case studies from the first edition, Seven (dir: David Fincher) and Citizen Kane (dir: Orson Welles), the second edition also includes five new case studies: The Secret Life of Walter Mitty (dir: Ben Stiller), Dead Man's Shoes (dir: Shane Meadows), Hero (dir: Yimou Zhang), Berberian Sound Studio (d: Peter Strickland) and Psycho (d: Alfred Hitchcock)"--

Motion pictures --- Cinematography. --- #SBIB:309H524 --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Semiotics --- Photography --- Chronophotography --- Semiotics. --- Production and direction. --- Audiovisuele communicatie: semiotiek --- Production and direction --- Direction --- Animated pictures --- Art --- Performing arts --- Film & Video. --- Film & Video --- Direction & Production. --- Reference. --- Cinematography

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Cinematography. --- Motion pictures --- Production and direction. --- 798.75 --- film --- filmproductie --- filmtechnieken --- productie --- regie --- film, filmtechniek --- Cinematography --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Photography --- Chronophotography --- Production and direction --- Direction --- Animated pictures

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This book critically assesses the artistry of contemporary directors. Its discussion includes the work of Declan Donnellan, Thomas Ostermeier, Deborah Warner, Simon Stone and Krzysztof Warlikowski. Alongside the work of wider theorists (Patrice Pavis and Erika Fischer-Lichte), it uses neuroaesthetic theory (Semir Zeki) and cognitive and creative process models to offer an original means to discuss the performance event, emotion, brain structures and concepts, and the actor’s body in performance. It offers first-hand observation of rehearsals led by Katie Mitchell, Ivo van Hove, Carrie Cracknell and the Steppenwolf Theatre. It also explores devising in relation to the work of Simon McBurney and contemporary groups, and scenography in relation to the work of Dmitry Krymov, Robert Wilson and Robert Lepage. The Director and Directing argues that the director creates a type of knowledge, ‘reward’ and ‘resonant experience’ (G. Gabrielle Starr) through instinctive and expert choices.

Motion pictures --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Production and direction. --- Production and direction --- Direction --- Theater. --- Theatre and Performance Studies. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors